Dance Forward: Winter Dance Intensive - 92Y, New York
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Dance Forward: Winter Dance Intensive

Dance Forward is a weeklong intensive (Jan 14–18, 2019) led by cutting-edge artists in contemporary modern dance.

The intensive includes classes, workshops, and performances at 92Y. Housing is available upon request. For more information, please email.

$445 – Regular registration rate

Mon, Jan 14 Tue, Jan 15 Wed, Jan 16 Thu, Jan 17 Fri, Jan 18

9:30 – 11 am

Technique:
Adam Barruch

9:30 – 11 am

Technique:
Kendra Portier

9:30 – 11am

Technique:
Adam Barruch

9:30 – 11am

Technique:
Kendra Portier

9:30 – 11am

Technique:
Kendra Portier

11am – 12 pm

Composition:
MADBOOTS DANCE

11am – 12 pm

Composition:
MADBOOTS DANCE

11am – 12 pm

Composition:
MADBOOTS DANCE

11am – 12 pm

Composition:
MADBOOTS DANCE

11am – 12 pm

Composition/Repertory Review:
MADBOOTS DANCE + Netta Yerushalmy

12 - 1:30 pm

Lunch:
Orientation

12 - 1:30 pm

Lunch & Learn:
Music & Dance

12 - 1:30 pm

Lunch & Learn:
Dance & Film

12 - 1:30 pm

Lunch & Learn:
Dance Education Laboratory (DEL)

12 - 1:30 pm

Lunch & Learn:
Health & Wellness

1:30 – 3 pm

Repertoire:
Netta Yerushalmy

1:30 – 3 pm

Repertoire:
Netta Yerushalmy

1:30 – 3 pm

Repertoire:
Netta Yerushalmy

1:30 – 3 pm

Repertoire:
Netta Yerushalmy

1:30 – 3 pm

Composition & Repertory Share:
Netta Yerushalmy + MADBOOTS DANCE
Break Break Break Break

3 - 4:30 pm

Closing Celebration

8 - 9:30 pm

*Movement Research at Judson Church

7 - 8:30 pm

*Open Performance at Eden’s Expressway

8 - 10 pm

Improvisation Jam

The Lovelies
*Optional. Full description of lunch & learn workshops and nightly events will be sent upon registration.

For questions, please email or or call 212.415.5554.

Dance Forward is a collaboration between 92Y's Center for Arts Learning & Leadership and Harkness Dance Center.

Register

Adam Barruch

Adam Barruch's career began as a young actor. He performed on Broadway and in film and television, working with prominent figures such as Tony Bennett, Jerry Herman and Susan Stroman…

Adam Barruch

Adam Barruch's career began as a young actor. He performed on Broadway and in film and television, working with prominent figures such as Tony Bennett, Jerry Herman and Susan Stroman. He later received dance training at LaGuardia High School for Music & Art and Performing Arts. He graduated early and was accepted into the dance department at The Juilliard School. As a dancer he has performed the works of Jiří Kylián, Ohad Naharin, Susan Marshall, JosĂ© LimĂłn, Daniele Dèsnoyers and is currently a dancer with Sylvain Émard Danse in Montreal. As a choreographer, Adam's work has been presented at venues such as Dance Theater Workshop (NYLA), New York City Center, NYU/ Skirball Center for the Performing Arts, The Juilliard School, The Ailey-Citigroup Theater, SUNY Purchase, New York University, Cedar Lake Theater and Theatre Usine C in Montreal. In March 2009, he self-produced his first full evening of original dance/theater works at The Baryshnikov Arts Center. He is currently working on a new physical theater production of Stephen Sondheim’s Sweeney Todd: the Demon Barber of Fleet Street.

“I am always interested in reflecting the interior emotional landscape,” said Barruch. “I think working with other people and dancing in other pieces is important for choreographers. Even in the lens of another artist’s vision you are always clarifying your voice and your movement.” -The Dance Enthusiast.

MADBOOTS DANCE

Noted for its "refreshing, often thrilling, straightforwardness", MADBOOTS DANCE is a queer, all-male, contemporary dance company based in New York City …

MADBOOTS DANCE

Noted for its "refreshing, often thrilling, straightforwardness", MADBOOTS DANCE is a queer, all-male, contemporary dance company based in New York City. The hyper-physical, provocative company led by Jonathan Campbell and Austin Diaz, was named "25 to Watch" by Dance Magazine and has reached audiences nationally and internationally, mining topics of male identity and queer culture. The company had the honor of performing at The Joyce Theater's first-ever LGBTQ+ Pride Week, as well as performing works at Jacob's Pillow, Fire Island Dance Festival, BAM Fisher Hillman and Velocity Dance Center, to name a few. Presently, Campbell & Diaz continue to create original works for the company, as well as, teach both emerging and professional dancers around the nation.

"Emotionally complex and promising.” - The New York Times
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Netta Yerushalmy

Netta Yerushalmy received the Guggenheim Fellowship, a Jerome Robbins Bogliasco Fellowship, a National Dance Project grant …

Netta Yerushalmy

Netta Yerushalmy received the Guggenheim Fellowship, a Jerome Robbins Bogliasco Fellowship, a National Dance Project grant, a Grant to Artists from the Foundation for Contemporary Arts and the Virginia B. Toulmin Fellowship for Women Leaders in Dance for her extensive body work.

Her works have been commissioned and presented by the Joyce Theater, American Dance Festival, Alvin Ailey Foundation, Danspace Project, New York Live Arts, Centre National de la Danse (Paris), Suzanne Dellal Center (Tel-Aviv), Hebbel am Ufer (Berlin). Netta works across genres and disciplines: she contributed to artist Josiah McElheny’s Prismatic Park at Madison Square Park, choreographed a Red Hot Chili Peppers music video and collaborated on evenings of theory and performance at the Institute for Cultural Inquiry (Berlin).

Her work has been commissioned by repertory companies around the USA, and she has set work at the Juilliard School, Alvin Ailey, NYU Tisch, University of Utah, Rutgers University, University of the Arts, University of Texas and others.

“I'm obsessed with the singular ways bodies can articulate themselves. Though language has recently been central to my work (my six–part Paramodernities series decodes modernism through both choreography and theory) my art-making begins and ends with a passion for the dancing body.” - Netta Yerushalmy

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Kendra Portier

Kendra Portier is a NYC-based maker, teacher and performer. Originally from Ostrander, OH, she received a BFA with Honors from the Ohio State University …

Kendra Portier

Kendra Portier is a NYC-based maker, teacher and performer. Originally from Ostrander, OH, she received a BFA with Honors from the Ohio State University and recently received an MFA from the University of Illinois Urbana-Champaign. She has worked with a variety of artists in multiple capacities, from San Diego to Salzburg and Dushanbe. Among them include an 8-year tenure with David Dorfman Dance, 13 years with Vanessa Justice Dance, Lisa Race/Race Dance, Sara Hook, Alexandra Beller Dance, Nicole Wolcott Dance, numerous guest artist residencies, and faculty positions at Gibney Dance Center, Mark Morris Dance Center, Bates Dance Festival, Peridance and more. Kendra’s company, BAND (BAND|portier, BAND|kp), has been presented throughout the East Coast by multiple and diverse venues, earning the Bates Dance Festival Emerging Choreographer Residency (ME), Harkness choreographer in Residence (NYC), Tisch Dance Space Residencies (NYC), Mary Elizabeth Hamstrong Award (IL) and the Wand M. Nettl Prize for Choreography (IL). Currently, Kendra is residing in NYC and DC as faculty at Gibney Dance Center (NYC), Artist in Residence at the University of Maryland and in-process with her new work Burnish.

“I trust dance as a revelatory vehicle for being and becoming.” - Kendra Portier

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The Lovelies

The Lovelies have been exploring the possibilities of compositional improvisation since 2013. They have had the honor of being presented at Judson Church …

The Lovelies

The Lovelies have been exploring the possibilities of compositional improvisation since 2013. They have had the honor of being presented at Judson Church, Triskelion Arts, The Tank, Westbeth, Shapeshifter Lab, in breweries, salons, parks, hotels and many other theatres and site-specific locations. The Lovelies teach compositional improvisation at Mark Morris Dance Center and the Joffrey Ballet School and present a space residency and split bill series called Slice&Dice.

“The Lovelies improvise dances with intention and meaning. It's not a meaning that gets pasted on top, but one that dynamically emerges from the relationships that are already there. We practice noticing those relationships, so we can compositionally and choreographically frame and reframe those connections to highlight the richness and lightness of the work.” - The Lovelies

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