Maggie Larson is an artist and cartoonist living in New York City. She has been a cartoon contributor to The New Yorker since 2017. Maggie grew up in Portland Oregon, graduated from Bryn Mawr College just outside of Philadelphia, and gets much inspiration for her work from the cities she has called home as well as her own life. Maggie's work was recently featured as a part of the "Funny Ladies at The New Yorker Then and Now" exhibition at The Society of Illustrators in 2018. When she is not at her drawing table, Maggie works as the Associate Director of the 92nd Street Y Art Center.

Sameena Mitta is the founder and artistic director of MeenMoves, as well as of the government-funded education and outreach program, MadHops. A graduate of the professional ballet training program of The School of Dance in Ottawa, Mitta was a recipient of the Celia Franca Scholarship, and was awarded with distinction the Associate Diploma of the Cecchetti Society. She has spent over 15 years teaching and working as a freelance modern dancer, performing for numerous choreographers and teaching at schools throughout North America and abroad. Mitta has performed with The White Oak Dance Project in their New York Season of Past Forward, in the Czech Republic with Dagmar Spain and in New York with The Sokolow Theatre/Dance Ensemble, Kathryn Alter and Dancers, Aviva Geismar, Luis Tentindo and The Juilliard Opera Company, among many others. In 2008 she received a MA in Dance Creation at UQAM focusing on Movement Intervention for survivors of domestic violence. Mitta, with her dance-theatre company, MeenMoves, has presented works in North America, India, Japan and Europe. Esteemed festivals have selected and produced Mitta’s pieces, including the evening-length work Growing Pains, co-presented by ODD in Ottawa (2013). She has shown work at Ailey APAP2018 (NYC, 2018) and at BAM Fisher (NYC, 2018) as well as Frigid Festival (NYC, 2014), Westfest Dance Festival (NYC, 2015), 60x60 (NYC, 2015), BAX’s Winter Festival (NYC, 2016) and Dance On The Lawn (NJ, 2018). She presented her evening-length work, alternative (f)Acts, at the Martha Graham Theater (NYC, 2017). In 2015, Mitta was invited to create work through a residency at the Lake Studios in Berlin, Germany and has produced work for the Choreographer’s Collective in NYC. She has received funding from the Canadian government for her outreach programming and has sat on juries in Canada and the USA for several organizations offering funding and scholarships. She is the recipient of the choreographic fellowship at NJPAC (2018-2020) and is on faculty at the Limón Institute, Ballet Tech and the 92nd Street Y Harkness Dance Center. Mitta’s interests include arts activism and diversity in dance.

New York Blues Hall of Fame inductee guitarist/singer Chris Bergson recently returned from a three week tour in Europe with acclaimed soul singer Ellis Hooks including headlining festivals in France, Germany and Denmark.

Bergson continues to tour in support of his latest album, Bitter Midnight which was named MOJO Magazine’s #3 Blues Album of 2017, his fourth consecutive release to achieve MOJO’s Top 3 Blues Album of the Year status.

Bitter Midnight, whose track list includes songs inspired by Bergson’s successful 10 country European tour, features guest artists such as drummer Aaron Comess (Spin Doctors), bassists Richard Hammond (Santana) and Andy Hess (Gov’t Mule), trumpeter Steven Bernstein (Henry Butler), saxophonist Jay Collins (Gregg Allman) and acclaimed soul singer Ellis Hooks (Steve Cropper.)

Bergson has performed with Norah Jones, Levon Helm, Hubert Sumlin, John Hammond and opened for B.B. King, Etta James and Bettye LaVette.

Recent collaborations have also included performances and/or recordings with celebrated French singer CharlElie Couture, Blues Music Award nominee Alexis P. Suter and Corey Glover of Living Color.

Bergson endorses McCurdy Guitars, Blackstar Amplification and Levys Leathers. Bergson is currently on the faculty of the 92Y School of Music where he teaches guitar, coaches rock band and serves as the music mentor for the Recanati-Kaplan Scholarship for the Excellence in the Arts program.

For the past two years, Bergson has also taught a jazz education class through 92Y’s Outreach Education program at the Angelo Petri School for the Performring Arts in the Bronx.

Megan Doyle, Director of Musical Theater at 92nd Street Y, holds a Masters Degree in Dance Education from NYU, is a graduate of the Dance Education Laboratory and is currently pursuing her second Masters in Educational Theater at CCNY. Megan has choreographed for American Girl, Netflix, Disney, and Lululemon Atheltica. Megan’s company, Community Dance Project NYC (CDPNYC), has presented works of Musical Theater and Contemporary Jazz throughout the city including at the Ailey Theater, Peridance, Symphony Space, White Wave, Green Space, and as a presenter with Jazz Choreography Enterprises.

As a performer, Megan has worked extensively for Disney appearing in the How to Dance with Hannah Montana video, voice overs for Lizzy McGuire Merchandising, and industrials and concerts with the Jonas Brothers, Emily Osment, and Demi Lovato. In addition to her commercial work, Megan has had the opportunity to perform with a variety of dance companies, including as a soloist in When Paths Collide at Lincoln Center. Megan is proud to have spent 5 years on tour as Anne in The Diary of Anne Frank. Other favorite touring/regional theatre credits include: Class Dismissed: The Bullying Project, The Sound of Music, Sugar Babies, Into the Woods, West Side Story, Joseph …, and the world premiere of Markings.

Megan has had the privilege of teaching at many different schools and studios including recreational and competitive dance studios throughout the United States, in the NYC public school system as a teaching artist, The Village Community Middle School, and at Merrick Academy Public Charter School. Megan also wrote and developed the dance curriculum for Gymboree Play and Music.