Marilyn Baker has worked in modern dance, film and theater. She has studied with Martha Graham, Merce Cunningham, Finis Jhung and Mary Anthony. Marilyn has taught children and adults for 35 years. She has been on the faculties of the Alvin Ailey American Dance Center, New Jersey Center for Modern Dance Education, North Carolina School of the Arts and taught at the University of Utah, Old Dominion University, as well as in the Harkness Center at 92Y. She has conducted teacher training workshops for the American Dance Guild, NYC Headstart Program and 92Y. She designed and implemented an early childhood curriculum in dance for young children. For the last 25 years she has had a personal training and small group fitness practice. Marilyn holds a Bachelor of Music degree from the University of the Arts in Philadelphia.

Jeanne Bresciani, BA, Skidmore College; MA, history of art, William's College, MA and PhD in dance, NYU; worldwide acclaim as solo performer, choreographer, lecturer, educator and creator of festivals; artistic director of the Isadora Duncan International Institute; performed as soloist at Lincoln Center, before the United Nations General Assembly, at the National Museum at Saratoga Springs, before the Olympic ceremonies in 1988, and at the National Museum in the Arts.

Born and raised New Yorker, Myrna is a dancer and swing dance events producer for the NY Metropolitan area. Since 2005 she has been producing swing dance events at 92nd Street Y where she teaches the swing lesson before the night of dancing begins and performed dances in swing, hustle, tap and salsa. Other dances she is trained in include theatre, jazz as well as various ballroom genres. Myrna performed and taught at various special events in NYC. Among her dance mentors was legendary swing dance master Frankie Manning who was among the pioneers of the Lindy Hop and also master tap instructor Chuck Kelley who is internationally acclaimed as the teacher’s teacher. For more information about her events or to contact Myrna please visit her website: www.SwingDanceSwing.com

Myrna Caceres is currently teaching the following classes:

Solo Hustle & Disco Dance Fun!

Swing and Lindy Hop (Absolute Beginner)

Solo Swing Lindy Hop & Rock N' Roll (Open Level)

Swing and Lindy Hop (Absolute Beginner)

Solo Swing Lindy Hop & Rock N' Roll (Open Level)

Mari Di Lena began her professional career while on scholarship at the Metropolitan Opera Ballet School, studying with Margaret Craske and Alfredo Corvino. As a child she was a member of the Met's Children's Chorus and danced leading roles in the children ballets produced by The Little Orchestra Society. At 17 she became principal dancer with the future Maryland Ballet Company. She also danced with Manhattan Festival, Les Grands Ballets Canadiens and was a principal with Ballet Guatemala and the Dortmunder Ballet. After a long career as a dramatic and classical ballet dancer she joined Pina Bausch’s Wuppertal Tanztheater where she was also responsible for giving ballet classes. After leaving the company she opened her own ballet school which she directed for 20 years. She taught extensively at the Folkwang Hochschule and taught company ballet classes for the Daniel Goldin Dance Theater in Muenster for many years. Keeping close contact with the Bausch company, she was thrilled when her former teacher and mentor Alfredo Corvino became their Ballet Master and took company class whenever he was in town. Since returning to the States in 2008 she has given Master Classes at different Universities and schools in the New York area, choreographed for the Harkness Dance Center, gave class often for the Jose Limon Company, gave Bausch workshops at Sarah Lawrence, Juilliard and 92Y, was on the panel at Barnard/Columbia 2013 discussing the different Rites of Spring and contributed to the educational film Understanding Pina, by Kathryn Sullivan. In 2013 she joined two other former members of the Wuppertal Tanz Theater to reconstruct Wind von West, a Bausch piece that hadn't been danced since 1979. It was through her initiative that it became an international undertaking between Juilliard and the Folkwang Tanz Studio and premiered at the Pina Bausch 40 Year Jubilaum Festival in Germany and the New Dances Concert at Juilliard this past December. Mari is currently on the faculty of 92Y Harkness Dance Center and the Ridgefield Conservatory of Dance in Connecticut.

Roberto Garcia, faculty, Sandra Cameron Dance Center; also trained as a ballet and modern dancer; former member of May O'Donnell Dance Co. and Deborah Carr's Theater Dance Ensemble.

Naomi Goldberg Haas has worked in concert dance, theatre, opera and film. Highlights include collaborations with The Klezmatics, composer Michael Nyman, playwright Tony Kushner, director Brian Kulick and Disney animation. Her work with the Silesian Dance Theater and persons with disabilities was presented in 2010 at the International Contemporary Dance Festival in Poland and in 2011 at Chutzpah Festival in Vancouver, B.C. She formerly danced with Pacific Northwest Ballet and holds an MFA from Tisch Dance at NYU. She has taught dance at Cal State, Long Beach and Loyola Marymount University and currently teaches at NYU, the Harkness Dance Center at 92Y and in her intergenerational company Dances For A Variable Population (DVP's) programs at senior centers in NYC. Recent projects include Golem with the Czech American Marionette Theater for La Mama's 50th season and Times Square ROUNDUP with the Times Square Alliance. Friends of the High Line awarded its first dance commission to DVP for “Autumn Crossing,” which joined the company with neighborhood residents and was the first dance performance on the High Line. In 2011, DVP was selected by the NYC Arts Alliance as one of "Seven Emerging Voices of 2011."

Jill Kenney is a New York-based dancer, teacher and choreographer. She has been working as Germaine Salsberg’s tap assistant at Broadway Dance Center since 2008. In addition to teaching at 92Y, Jill is on faculty at NYU Steinhardt and has guest taught at Steps on Broadway. She is also the director of the early childhood program at the Dream Center Dance Academy on Long Island.

With Salsberg’s tap company, Les Femmes Plus, Jill has performed at Symphony Space, Lincoln Center, The Friars Club, Brooklyn College and Boston’s Regent Theatre. She has appeared in numerous festivals including the Dumbo Dance Festival, Tap City, Stam-Pede and the Tap Extravaganza. For numerous years, she has been a team leader for ATDF’s Tap it Out — an outdoor concert directed by Tony Waag and Lynn Schwab. Other performance highlights include the Highline Ballroom, LG Electronics, Disney Cruise Lines and the tour of Dancin’ on Common Ground (choreography by Jared Grimes). She has also performed with the Andrea Torres Dance Company and Carlos Donan’s Folktap.

Originally from Rhode Island, Jill grew up training in various forms of dance under the direction of Lisa Mailloux and also at the Newport Academy of Ballet. She has studied at the 92Y Dance Education Laboratory and holds a B.A. in Dance Performance and Education from SUNY Empire State College, as well as an A.A. in Dance from Dean College.

Jill Kenney is currently teaching the following classes:

Tap (Open Level)

Tap Ensemble

Tap (Open Level)

Gloria McLean was a leading member of the Erick Hawkins Dance Co. from 1982-1993. She is the choreographer/director of LIFEDANCE/GLoria McLean & Dancers. She has been a professor of dance at UW/Madison, George Washington U and Keimyung University. She teaches at 92Y and privately in NYC and Andes, NY, and is the President of the American Dance Guild.

Gloria McLean is currently teaching the following classes:

Modern Dance (Open Level)

Modern Dance (Open Level)

Marlon "International" Mills, one of New York's most well-known dance personalities in the Salsa dance community, was born in NY to parents from the Caribbean and was educated in NY & Spain. He found his love of Salsa in 2001, after having been taken to a class by a co-worker and has not looked back since. He has trained with some of the best in the business, including Maria and Eddie Torres and has been teaching Salsa for more than 14 years. Marlon has performed Salsa for films, television, festivals, clients such as Marriott Group and American Express, and on stage for artists such as Jose Alberto El Canario, Hector Tricoche and El Gran Combo. He has also made appearances on Sesame Street as a performer and recently at Lincoln Center's Midsummer Night Swing as an instructor and performer. Marlon has taught at prestigious universities such as NYU, Columbia Business School and Hofstra University. He currently teaches at LIU and at several dance studios. Marlon has since joined the 92Y Staff and is currently teaching all levels of Salsa. Marlon hosts weekly social dance events that feature some of the top Latin bands and artists from the NY area. Marlon is also a Teaching Artist for the Dancing Classrooms program, teaching ballroom dance to kids throughout NYC public schools. He is known for his warm smile, amazing lead and excellent teaching abilities. Through clear teaching and strong fundamentals, he takes people from having two left feet to dancing up a storm while having fun on the dance floor in a relatively short amount time. His goals are to continue teaching, dancing, traveling the world and positively impacting the lives of others. His motto — Changing lives, one dance at a time!

Marlon Mills is currently teaching the following classes:

Salsa (Open Level)

Salsa (Open Level)

Jessica Nicoll, graduate, Sarah Lawrence College; 92Y faculty since 1985; Hunter College dance faculty since 2010; performed with Kei Takei, Phyllis Lamhut, Claire Porter and others; performer/choreographer with Nicoll+Oreck Dance Theater; awards: 2007 and 2008 Boulder International Fringe Festival awards, 1999 Off-Off Broadway Reviews (OOBR) Award (choreography); 2007 BAX10 Award, 2004 Linda LeRoy Janklow Award (teaching artistry); presents nationally and internationally at arts education conferences; 92Y choreography students were the subjects of a chapter she co-authored with her partner Barry Oreck, in Vygotsky and Creativity (Peter Lang Press, 2010).

Claudia Rahardjanoto was born and raised in Berlin, Germany to Chinese-Indonesian parents, and has performed and taught tap dance all over the world for over 15 years now to all ages from 6 years old to 83 years old. She has extensively studied tap dance with Sam Weber, Andreas Dänel, Sven Göttlicher and Pascal Hulin. After having danced in numerous tap dance-shows all over Europe and having been on tour with several touring productions around Europe as well as the United States (Magic Of The Dance, Dancing Feet, Dancing On Common Ground), Claudia moved to New York City in 2003 to continue her dance education and pursue a career in dance in the US.

Her performance highlights include tap dancing in Michelle Dorrance’s The Blues Project at the Jacob’s Pillow Dance Festival, on "The Jerry Lewis MDA Telethon" with Andrew Nemr's CPD PLUS, the world-famous Apollo Theater alongside the fabulous Miss Mable Lee, New York City’s Cotton Club with the Cotton Club Sophisticated Ladies and Dormeshia Sumbry-Edwards, MTV's "TRL" as part of a Happy Feet-segment with Robin Williams and Elijah Wood and singing and dancing at Joe’s Pub and the prestigious Carnegie Hall in New York City.

Claudia has also had the opportunity to dance with Dianne 'Lady Di' Walker, Chloe Arnold, Derick Grant, Max Pollak’s RUMBATAP, Jane Goldberg, Barbara Duffy & Company, Roxane Butterfly's WORLDBEATS, Jared Grimes' T.A.D.A.H. and many others. In 2011, Claudia has been on the cover of Dance Teacher Magazine and has been featured as one of Dance Magazine's "25 To Watch" in 2010. Currently, she is on faculty at Steps On Broadway, Broadway Dance Center, the 92nd Street Y Harkness Dance Center and the American Tap Dance Foundation in New York City.

Claudia has been extremely blessed and fortunate to have met and spend valuable time (on or off stage) with tap masters like the late Dr. Jimmy Slyde, Dr. Bunny Briggs, the late Dr.Henry LeTang, the late Dr. Buster Brown, the late Dr. Harold Cromer, Mable Lee, Dianne Walker, Ted Levy, Savion Glover among others and wants to thank them for all that they have shared. She is looking forward to keep sharing her love for music and the art of tap dancing with everyone through her teaching and performing.

Claudia Rahardjanoto is currently teaching the following classes:

Tap Dance for Life

Tap Dance for Life

Cynthia Reynolds performed with the Erick Hawkins Dance Company from1976 to 1993. Reynolds teaches dance at 92Y, and the Alexander Technique at The New School, at NYU, and privately.

Cynthia Reynolds is currently teaching the following classes:

Modern Dance (Open Level)

Modern Dance (Open Level)

JoDe Romano "La Chispa" was a guest Teaching artist & graduate of the High School for the Performing Arts in Houston, Texas were she was featured in the Houston Grand Opera Carmen. She also performed in the Franco Zeffirelli original production of Carmen, starring Placido Domingo and Maria Benitez at the Metropolitan Opera, attended by president Clinton, which was broadcast for PBS Live From Lincoln Center and toured Japan with the Three Tenors. For over 20 years, Ms. Romano lived, studied and performed Spanish dance in Spain and Japan, was soloist and choreographer for the José Greco Dance Company at the Joyce Theater, the Town Hall New York City, and toured the US and Spain. She was also a dancer in The Charo Show in Las Vegas with Jerry Lewis and others, and taught a castanet workout on the Dr. Oz Show. JoDe Romano choreographed the Broadway Workshop production of Rita Hayworth-Hollywood Goddess, numerous Zarzuelas, and the mixed media dramatic presentation, Picasso's Guernica, at The Thalia Theater in New York. Ms. Romano has taught at Alvin Ailey, Ballet Hispanico, NYC public schools and the summer intensives at Joffery Ballet NYC.

Currently, Ms. Romano conducts Spanish dance and castanet classes at the 92Y Harkness Dance Center and is a graduate of the 92Y Dance Education Laboratory (DEL) program. She has been a guest teacher at Hunter College and co-developed and taught a DEL workshop at 92Y. Ms. Romano also taught a master class and workshop at NYU for NYSDEA and at Fall for Dance at NY City Center. She teaches at Steps on Broadway and other locations throughout the NY metropolitan area. She has completed a series of instructional DVDs on castanet and flamenco movement techniques, and has produced and played castanets on her Spanish Classical Piano and Castanets CD. www.FlamencoRomano.com

JoDe Romano is currently teaching the following classes:

Flamenco (Open Level)

Flamenco (Open Level)

Susan Rosenbaum, a New York native, received her early training at the New Dance Group Studio and at Harkness House in NYC. She studied with David Howard, Finis Jhung, Kira Guzikova, Wilhelm Burmann and Sydelle Gomberg. She earned her BFA in dance from the University of Utah, her MA in Early Childhood Education from Adelphi University and is also Montessori certified. She performed with Ballet West, Harkness Ballet, Stuttgart Ballet, American Ballet Theater, and NYC Character and Ballet Company. In addition to teaching both children and adult levels at the 92nd Street Y Harkness Dance Center, Susan has also taught at the Peninsula Hotel Fitness Center and in the “Take a Chance” series at the JCC Manhattan. Susan’s teaching credits also include Central Park Dance in Scarsdale, NY, Steps on Broadway, Rutgers University, Maryland Ballet, Chautauqua Institution and Tanzwerkstatt, Bonn, Germany.

Susan Rosenbaum is currently teaching the following classes:

Ballet for Life

Ballet (Intermediate)

Ballet (Beginner)

Ballet (Absolute Beginner)

Ballet (Advanced Beginner)

Ballet for Life

Ballet (Intermediate)

Ballet (Beginner)

Ballet (Advanced Beginner)

Tamii Sakurai is a tap dancer based in New York City. She is an Artist in Residence at the American Tap Dance Foundation (ATDF). Her close affiliation with ATDF started as a founding member, then the dance captain, and now one of the rehearsal director of Tap City Youth Ensemble, a performing youth tap ensemble of ATDF. Tamii has also had the privilege of working with numerous leading tap companies such as Brenda Bufalino’s “New” American Tap Dance Orchestra, Michelle Dorrance’s Dorrance Dance, and Caleb Teicher’s Caleb Teicher and Company. She studied Mathematics and Dance at Hunter College, where she has developed her style of teaching tap dance incorporating number and visuals. In 2016, she has made her debut on Off Broadway on STOMP. She has concluded her run on STOMP the following year, though she may be seen periodically performing as an alumni. For Tamii’s new works and teaching/performing schedule, please visit tamiisakurai.com.

Tamii Sakurai is currently teaching the following classes:

Tap (Open Level)

Body Percussion (Open Level)

Tap (Open Level)

John-Mario Sevilla (92Y Harkness Director of Professional Development and Performance; MA, Teachers College; MFA, University of Wisconsin-Milwaukee) hails from Ka’ehu, Maui. Formerly the Director of Harkness Dance Center, Manager of School Programs and Director of Education at New York City Ballet, he has been a teacher both here and abroad to dancers of all ages and levels. From 1988 to 1996, John-Mario was a performer, choreographic collaborator, rehearsal director and teacher for Pilobolus, for which he toured internationally and appeared on several national telecasts. He has also worked with choreographers Rebecca Stenn, Lisa Giobbi, Nikolais and Louis, Shapiro and Smith, Janis Brenner, Anna Sokolow and Bill Cratty, juggler Michael Moschen, film animator Laura Margulies, drag performing artists Sherry Vine, poet John Unterecker and Navajo sandpainter and healer Walking Thunder. Mr. Sevilla’s choreography has appeared in New York City at Movement Research/Judson Church, LaMama, Dance Theater Workshop, St. Mark’s Church-in-the-Bouwerie, Columbia University, ABC No Rio, the Lower East Side Tenement Museum, The Asia Society, Riverside Church and Bronx Academy of Art and Dance. He currently is a student of the hula with kumu hula Hōkūlani Holt of Pā‘ū O Hi‘iaka on the island of Maui. He has also studied with kumu hula June Ka’ililani Tanoue.

Kate Stephan danced professionally as a soloist for over ten years in ballet companies including The Cincinnati Ballet, The Israel Ballet in Tel-Aviv and the Florida Ballet. She also performed on Broadway and in the Los Angeles cast of Andrew Lloyd Webber’s The Phantom of the Opera in the principal role of "Meg" and in the ballet chorus. She is a certified Kripalu Yoga instructor, a certified Integral Yoga pre-natal teacher and a certified OM Yoga teacher. She is also an ACE certified personal trainer. In 2007, Ms. Stephan earned a Masters’ Degree in Dance Education at New York University. Ms. Stephan was the Manager of the New York City Ballet Workout, a ballet-based fitness class, for three years. As Manager for the New York City Ballet Workout, she traveled world-wide to train and certify all instructors while also teaching the Workout at New York Sports Clubs. She was also the Associate Producer and Fitness Director for NYCB Workout 2, the second video/DVD of the Workout exercise program. Ms. Stephan's teaching credits include, 92nd Street Y, Steps on Broadway, Lucy Moses School, Brown University, Providence Ballet, The Spence School, New York Sports Club and New Jersey Ballet School.

Kate Stephan is currently teaching the following classes:

Ballet for Life

Ballet for Life

An early pioneer of dance therapy while she performed with the Jean Erdman Theatre of Dance, Dr. Berger teaches dance therapy at New York University, where she was the Director of the Program in Dance Education from 1993–2002. She is also currently the Director of the Dance Therapy Program at the Harkness Dance Center of 92nd Street Y. She has created dance therapy training programs in the Czech Republic, the Netherlands and Sweden, and has taught dance therapy and the Movement Psychodiagnostic Inventory in France, Germany, Greece, Korea, Norway, Poland, Russia, Slovenia and Taiwan. She initiated the International Panel of the ADTA in 1995. In 2009, Dr. Berger received the Charles Kellogg Award in Arts and Letters from Bard College, the ADTA Lifetime Achievement Award in 2007, was inducted into the Dance Library of Israel Hall of Fame in 2005 and she was given the Marian Chace Award for fostering the international growth of dance therapy in 2002. Past President and charter member of the American Dance Therapy Association, Dr. Berger was Director of the Creative Arts Therapies Dept. at Bronx Psychiatric Center 1970–1990, and is a past Chair of the National Coalition of Creative Arts Therapies. A former co-editor of the American Journal of Dance Therapy and editorial board member of the Journal of Dance Education, she now is on the board of Arts in Psychotherapy and the American Journal of Dance Therapy. An early student of dance therapy pioneers Marian Chace, Irmgaard Bartenieff and Rhoda Winter Russell, she studied non-verbal communication with Albert Scheflen, Martha Davis, Marion North, Judith Kestenberg and Warren Lamb, and studied dance with, among others, Alwin Nikolais and Martha Graham.

Patricia P. Capello, MA, BC-DMT, NCC, LCAT is a Senior Dance/Movement Therapist and Acting Team Leader for the Therapeutic Activities Service at Maimonides Medical Center’s Department of Psychiatry in Brooklyn, New York. While earning her BA in Psychology and Dance from CUNY Brooklyn College where she focused on Graham technique, Ms. Capello was co-owner of a community dance studio teaching a variety of dance forms to children and adults. Following her MA in Dance/Movement Therapy from New York University where she performed with the Judith Scott Dance Theatre, she went on to become a member of the adjunct faculty in the Department of Dance and Dance Education. Ms. Capello has served over 16 years on the Board of Directors of the American Dance Therapy Association and is Associate Chair of The International Panel.

In addition to training and supervising students both in the US and abroad, Ms. Capello maintains a private practice specializing in developmentally delayed adults. Her writing is featured in the recently published book The Art and Science of Dance/Movement Therapy: Life is Dance (Routledge; 2009) and as a regular contributor to The American Journal of Dance Therapy.

Tina Erfer, MS, BC-DMT, NCC, LCAT, is a Board-Certified Dance/Movement Therapist, National Certified Counselor and Licensed Creative Arts Therapist. For over thirty-four years, she has worked as a dance/movement therapist in educational and psychiatric settings, with children and adolescents with special needs. She has served as Coordinator of the Hospital School Program at Mount Sinai Medical Center in New York, in the Department of Child and Adolescent Psychiatry. She has given numerous lectures and workshops at various agencies and universities and has also provided many staff development and training sessions. Tina supervises and trains graduate students and entry-level dance/movement therapists. She has published on her dance/movement therapy work with children who have emotional challenges, and children with autism. Tina served for eight years on the Board of Directors of the American Dance Therapy Association (ADTA); and is also past President of the New York and New Jersey Chapters of the ADTA. She is the Coordinator of the Alternate Route Dance/Movement Therapy Training Program at the Harkness Dance Center of 92nd Street Y in New York; as well as a faculty member in this program in New York City and in Montreal, Canada. She is also on the faculty of the Dance/Movement Therapy Training Program of the Inspirees Institute of Creative Arts Therapy, in China. Tina is the recipient of the American Dance Therapy Association 2015 Exceptional Service Award.

Tina Erfer is currently teaching the following classes:

Dance with Children and Adolescents on the Autism Spectrum: Therapeutic and Educational Approaches

Dr. Amber Elizabeth Lynn Gray, PhD, BC-DMT, LPCC, MA & MPH, is the Executive Director of Restorative Resources LLC, The Kint Institute and her own planetary rights non-profit, Trauma Resources International. She is an award winning dance movement therapist, a human rights psychotherapist, and an authorized Continuum teacher. Amber has worked for 24 years with people who have survived human rights abuses, war and torture. She originated Restorative Movement Psychotherapy, a framework for dance, movement, mindfulness and creative arts therapies with refugees and survivors of torture, and Polyvagal-informed Dance/Movement and Somatic Therapies for trauma, based on a deep immersion into Polyvagal Theory. Amber provides training and consultation nationally and internationally on restorative treatment for survivors of relational, social, collective and ancestral trauma. Her expertise is the integration of creative arts and body-based psychotherapy into “mainstream”, multi-cultural, clinical, psychotherapeutic and healing practices, often in low resource contexts. She is a regular conference presenter and keynote speaker, and has authored many peer-reviewed publications on movement therapies and trauma. She regularly leads eco-somatic, “wild-zeness” retreats for survivors of trauma.

Amber Gray is currently teaching the following classes:

Trauma and the Moving Body

Donna Newman-Bluestein, BC-DMT, CMA, LMHC, is a board certified dance/movement therapist, Certified Movement Analyst, licensed mental health counselor, Adjunct Faculty at Lesley University and dancer with Back Pocket Dancers intergenerational company. Since receiving her M.Ed. in Expressive Therapies with a major in dance/movement therapy from Lesley University, Donna has worked with children with physical disabilities, adults in acute psychiatric distress and in medical rehabilitation, and with senior adults in long-term care and Assisted Living residences. As an educator, supervisor, trainer and speaker, Donna’s work has focused entirely for the past 15 years on transforming the culture of care for people with dementia through dance and embodied caregiving. To motivate people with advanced dementia to engage with others through movement, Donna invented the Octaband®. She has co-authored numerous articles and published a training manual, The Dance of Interaction: Nonverbal Communication Training for Caregivers of People with Dementia, An Embodied Approach.