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Tony Scott’s obsession with surveillance, a project that began with the prophetic and amazingly pre-9/11 Enemy of the State and continued with Spy Game and Domino, culminates in his late-period masterpiece Déjà Vu.
A multi-tiered mystery cum love story about a cop (Denzel Washington) trying to solve the murder of a woman in order to solve the much larger crime of a ferry bombing, Déjà Vu pushes forward the traditional Scott theme of watching and being watched by literally taking it backwards, as Scott manipulates time and space in an attempt to make his “monitors” the good guys for once. Technology introduces would-be lovers that can only be connected through a dizzying array of images; documents of a past that demand an all too grim future be re-written. Like most of Scott’s work, the film is shot on and makes the most of its location, here, appropriately, post-Katrina New Orleans.
Director: Tony Scott. 126 min. 2006. 35mm.
Preceded by Stan Brakhage's "still life" exploration of image manipulation, The Wold-Shadow (1972).
Part of the series The Great Scott. Co-presented by MUBI.com
Ticket Price: $12, Film Club Member: $8.
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