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 |  |  |  |  | La Ciénaga   |  |  |  |  |  |  Part of the series Ten Years of New Argentine Cinema, co-presented by Cinema Tropical.
 “February in Argentina’s Northeast can be uncomfortably hot and humid. Bodies become sluggish and sticky... and tensions rise. Mecha is in her 50’s and must deal with four accident-prone teenagers, a husband who dyes his hair and the tedious problem of sullen servants. Nothing that a few drinks can't cure. Tali is Mecha's cousin. She has four noisy small children and a husband who loves his house, loves his kids and loves to hunt. Mecha and her family spend their summers at a country estate whose glory has long faded and where the two families, reunited by an accident, will attempt to survive a summer from hell. With uncompromising talent, Martel’s astonishing feature debut — which preceded the celebrated films The Holy Girl and The Headless Woman — brilliantly depicts the decadence of the Argentine middle-class through this family’s story.”
 Director: Lucrecia Martel. 102 min. 2001. 35mm. |  |
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